By: Turning Twenty-Three « juliamorizawa

Turning Twenty-Three « juliamorizawa — Wed, 23 Feb 2011 05:19:36 +0000

[...] Joel Elkins of LA Theatre Review summed up our unique approach to the way we performed this piece by stating, “There’s small theater and then there’s intimate theater. For its current production, The Knightsbridge Theatre has taped off its normal 99 seats and gathered about 25 folding chairs around the stage, pulling the audience so close they almost feel part of the action. Which is, I guess, the point. What’s more, the company makes an inspired choice not to pass out programs until after the play is over, so as to further make audience members feel like participants, rather than mere observers.” Yay! This guy really got it! And, of course, I have to throw in what I thought was most flattering part of his review: “Well, if art is supposed to imitate life, Twenty Two has accomplished its mission. The characters are totally believable, the dialogue is as natural as it gets and the acting overall is amazingly realistic.” You can still read his full review here. [...]

By: theatre land

theatre land — Fri, 19 Mar 2010 10:37:15 +0000

[...] the kiwani’ singer claims that the accused authorities want to grab his land and sell it off. …Twenty-Two at the Knightsbridge Theatre | LA Theatre Reviewby Joel Elkins~ There’s small theater and then there’s intimate theater. For its current production, [...]

Comments on: Twenty-Two at the Knightsbridge Theatre

By: Turning Twenty-Three « juliamorizawa

By: theatre land