http://www.latheatrereview.com/2010/01/29/stage-door-at-open-fist-theatre/?utm_source=rss&utm_medium=rss&utm_campaign=stage-door-at-open-fist-theatre Everything Pertaining to Small Theatre in Los Angeles Sat, 31 Jul 2010 09:24:56 +0000 http://wordpress.org/?v=2.7.1 hourly 1 http://www.latheatrereview.com/2010/01/29/stage-door-at-open-fist-theatre/comment-page-1/#comment-2159 swennen Thu, 25 Mar 2010 15:13:10 +0000 http://www.latheatrereview.com/?p=721#comment-2159 [...] ... Bert swennen umicore. Reader service. Belmont stakes results. Pastis nyc. Circuits in series ...Stage Door at Open Fist Theatre | LA Theatre Reviewby Joel Elkins~ Stage Door was written by Edna Ferber and George S. Kaufman during the depths of the [...] [...] … Bert swennen umicore. Reader service. Belmont stakes results. Pastis nyc. Circuits in series …Stage Door at Open Fist Theatre | LA Theatre Reviewby Joel Elkins~ Stage Door was written by Edna Ferber and George S. Kaufman during the depths of the [...]

]]> http://www.latheatrereview.com/2010/01/29/stage-door-at-open-fist-theatre/comment-page-1/#comment-1314 STAGE DOOR: 100% Bittersweet | Bitter Lemons Tue, 02 Feb 2010 18:23:02 +0000 http://www.latheatrereview.com/?p=721#comment-1314 [...] BITTERSWEET That being said, the Company did an estimable job reviving this somewhat dated piece. Director Barbara Schofield manages to keep 26 balls in the air, through all the entrances and exits, the comings and goings of the female residents of the “Footlights Club” as well as those of their myriad “gentlemen callers.” Adding to the air of hubbub and activity, the area in front of the stage served as busy 53rd Street, so audiences have full view of not only the characters currently in the club’s community room that made up the stage, but also those that are just leaving and those that are about to enter. Joel Elkins – LA Theatre Review [...] [...] BITTERSWEET That being said, the Company did an estimable job reviving this somewhat dated piece. Director Barbara Schofield manages to keep 26 balls in the air, through all the entrances and exits, the comings and goings of the female residents of the “Footlights Club” as well as those of their myriad “gentlemen callers.” Adding to the air of hubbub and activity, the area in front of the stage served as busy 53rd Street, so audiences have full view of not only the characters currently in the club’s community room that made up the stage, but also those that are just leaving and those that are about to enter. Joel Elkins – LA Theatre Review [...]

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