http://www.latheatrereview.com/2010/02/12/seascape-with-sharks-and-dancer-at-studiostage/ Everything Pertaining to Small Theatre in Los Angeles Sat, 04 Feb 2012 02:05:17 +0000 hourly 1 http://wordpress.org/?v=3.0.1 http://www.latheatrereview.com/2010/02/12/seascape-with-sharks-and-dancer-at-studiostage/comment-page-1/#comment-43869 SEASCAPE WITH SHARKS AND DANCER: 100% Sweet : Bitter Lemons Wed, 08 Dec 2010 01:29:09 +0000 http://www.latheatrereview.com/?p=821#comment-43869 [...] BITTERSWEET In fact, the play by Don Nigro is thought-provoking and well-written and raises many interesting questions about human nature and interpersonal relationships. Unfortunately, the production did not do it justice. In a two-person play, acting is critical, and from the opening moments, I knew we were in trouble. As a caveat, I must say I am not an actor, but I know good acting when I see it. Good actors make you forget they are reading lines. They make you forget they are not the characters they are pretending to be. They appear to be not only reciting lines, but formulating ideas as they speak, as people do in real life. People in real life generally vary their speech patterns, pausing when thinking of a difficult word or trying to express a difficult concept. They don’t know instinctively when the other person has finished speaking and when they are supposed to start. In fact they often don’t know when they themselves are finished speaking. Too much of the dialogue in Seascape had the “I’m done with my line; now it’s your turn” feeling, which unfortunately cast an amateurish sheen on the entire production. But as much of the fault must lie with director Benjamin Haber Kamine as with the cast. Joel Elkins – LA Theatre Review [...] [...] BITTERSWEET In fact, the play by Don Nigro is thought-provoking and well-written and raises many interesting questions about human nature and interpersonal relationships. Unfortunately, the production did not do it justice. In a two-person play, acting is critical, and from the opening moments, I knew we were in trouble. As a caveat, I must say I am not an actor, but I know good acting when I see it. Good actors make you forget they are reading lines. They make you forget they are not the characters they are pretending to be. They appear to be not only reciting lines, but formulating ideas as they speak, as people do in real life. People in real life generally vary their speech patterns, pausing when thinking of a difficult word or trying to express a difficult concept. They don’t know instinctively when the other person has finished speaking and when they are supposed to start. In fact they often don’t know when they themselves are finished speaking. Too much of the dialogue in Seascape had the “I’m done with my line; now it’s your turn” feeling, which unfortunately cast an amateurish sheen on the entire production. But as much of the fault must lie with director Benjamin Haber Kamine as with the cast. Joel Elkins – LA Theatre Review [...]

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